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I've long been on record as someone who doesn't care much about song lyrics. Many people feel that the lyrics MAKE the song, but I was cured of that by the epic works of Yes in the 70's. As much as I liked the music, I just had no idea what Jon Anderson was going on about with that magnificent voice of his. The attitude was further reinforced by Janes's Addiction, who did a couple songs (Ain't No Right, Been Caught Stealing) that had music I liked but lyrics that I totally disagreed with. For me, it's the music, and the vocals are frequently just another instrument. Of course, to every rule, there is an exception, and one of the biggest exceptions to this rule is the legendary Mose Allison. His lyrics are always worthy of attention, the music is lively and engaging. His songs are like beautiful jewels in a precious setting.
Mose's lyrics matter because they are poignant and truthful on one hand, yet sly and funny on the other. He has a knack of making you consider some of the more serious aspects of life without making anyone's burden heavier. In fact, by giving his songs a humorous bent, he tends to help lighten the load. Starting out in the 50's,Mose, a native of Tippo, Mississippi, saw his greatest success in England. His cool, silky voice and stylishly aggressive piano was a great influence on much of London's youth, including a young Pete Townshend. This lead to The Who doing two of his songs: Young Man Blues and Eyesight to the Blind. This was just a drop in the bucket of Mose covers, though. There have been dozens, by people from all over the music scene, including Bonnie Raitt (Everybody's Cryin' Mercy) and Hot Tuna (Parchman Farm, a song about life in a prison work camp). Listening to his piano, it is easy to hear how he must have influenced Page McConnell of Phish. It was the Who covers that made me try out one of his discs, though. The second I heard that cool, silky voice singing The Seventh Son, I knew I was hooked for good. He's still performing today, and his songs are still being done by others. The Pixies have even done a song about him, titled simply "Allison". If you get a chance to see him, do it. I'll be jealous.
This week I have to share two songs, and I had a hell of a time narrowing it down to just two! Both are from his December 4th, 1999 performance at the Rialto Theatre in Tuscon, Az. His fingers are as nimble as ever, and his voice, while perhaps a little less silky, is still VERY cool. The first is one of his most popular and more serious tunes, the second is a more humorous one that everybody can relate to. Let me know what you think of them. Click here to listen to "Everybody's Cryin' Mercy" Click here for "Your Mind is On Vacation" (Dedicated to my Eternal Nemesis)
In two weeks: This group was the first, and to my knowledge the only, to have albums in the #1 and #2 American chart slots at the same time. |
| Rick September 15, 2006 02:09 PM PDT hi. can't help myself on Jon Anderson's lyrics. Jon is one of many that feel the "sun" is a metaphor for the "son" as life itself is. "heart of the sunrise" and all Yes songs take on a whole new "light" do they not. All Yes songs are about why we are here. A very old book has a quote about "eyesight to the blind". It was a metaphor. The Yes cd "Open your eyes" say this. All Yes songs contain this type of message, even the way more cheesy power chord stuff with Trevor Rabin. Jon injected these sentiments even then, but less. "Close to the Edge" refers to the other side in a spiritual way. A relayer is like a messenger, a ladder is a device used to climb to a higher place, magnification is all that magnified, keys to ascension speaks for itself. The song titles too, face to face, in the presence of, the meeting, etc, etc all make sense now eh. Thanks Rick | ||
| Fez Monkey September 15, 2006 03:05 PM PDT Hmmm ... I'm basically a lyrics guy myself, although I now realize what I thought was "deep" as a hormonal, pimply adolescent really was pseudo-spiritual, Tolkien-esque gibberish. I mean, the lyrics to "Supper's Ready" are really dumb, when you think about it. That being said, even silly lyrics have meaning. Without them, a lot of the stuff I listen to would just sound like "Hocus Pocus." Hmmm ... maybe that wouldn't be so bad. Ook ook | ||
| Cheezy September 15, 2006 04:31 PM PDT It's interesting you mention 'Been Caught Stealing' by Janes Addiction. I love that song too. Both the music (it's fierce) but also the lyrics too. I know it's a celebration of stealing but for me, I don't need to take it literally and genuinely be encouraged to steal things now... I think of it as a flashback to the first time you ever nicked something, however small and meagre, and something that captures the ecstacy of the naughtiness of it all... Overall, and strangely for a fan of techno (which I mainly am) I love intelligent lyrics in rock music, and am quite contemptuous of the banal stuff.... | ||
| mellowyellow September 16, 2006 08:04 AM PDT lyrics for me everytime | ||
| Miss Cellania September 17, 2006 06:07 AM PDT I have always been a HUGE Yes fan. Just a couple years ago, I got ahold of an album with actual lyrics printed... and I was right, they make no sense whatsoever. I still love the music. | ||
| Jeff K September 18, 2006 04:11 PM PDT You caught me offguard (in a good way) with the Jane's reference. One of my favorites from the 90s. "Three Days" is such a goddamn good song. I'm definitely a "the song is the sum of its parts" guy -- instrumentation, musicianship, emotion, lyrics, voice -- they all go toward my overall enjoyment of a tune. That said, there are songs I like in spite of the lyrics, and songs I like because of them. Someone like Stevie Ray wasn't singing overly profound lyrics when he said to "look at little sister" or sang "Mary had a little lamb," but the way he sang them, and the way he played that Strat, still makes me freaking weep when I hear him. | ||
| Joe the Troll September 18, 2006 04:21 PM PDT Didn't expect me to listen to Jane's Addiction, eh? So, has anyone listened to these Mose tunes??? | ||
| O\' Tim September 18, 2006 10:04 PM PDT Smooooth that Mose is. Good tune choices, Joe (I like your dedication for #2 - LOL). As lyrics go, I think Anderson et al explain it perfectly clear in "Heart Of The Sunrise": "Straight light moving and removing sharpness of the colour sun shine Straight light searching all the meanings of the song Long last treatment of the telling that relates to all the words sung Dreamer easy in the chair that really fits you." Prefuckingcisely. And refuckingdelicious, too. | ||
| jollykay September 22, 2006 05:50 AM PDT okay, here's a guess- the beatles. i am only guessing that because i do not have time to do a lot of googling this morning- i slept in. | ||
| Joe the Troll September 22, 2006 10:19 AM PDT I think the Beatles may have done it with singles, but not albums. Thanks for playing, BTW! | ||
| jollykay September 22, 2006 01:53 PM PDT okay, second guess- pink floyd... just in case that is wrong guess three is the rolling stones. | ||
| jollykay September 22, 2006 02:58 PM PDT okay, so i did some googling- from what i can tell the beatles had the #1 and #2 albums at the same time, twice. i copied this from here: http://www.amazon.com/gp/cdp/ member-reviews/A34WONHANROO4G ie=UTF8 The only act to have held the no. 1 and no. 2 position in the Billboard albums chart for 9 straight weeks on two separate occasions (March 2 to April 27 and August 29 to October 24, 1964). just saying. | ||
| Joe the Troll September 22, 2006 03:22 PM PDT That link didn't take me to any info, however those facts weren't on any others I Googled, like this one: http://en.wikipedia.org/wiki/The_Beatles_record_sales,_worldwide_charts Yeah, I know, it's Wiki. Anyway, I think you're looking at singles, not albums. And also be sure that you're looking at the AMERICAN chart, not the British. It wasn't Floyd or the Stones, either. BTW, if you're into Pink Floyd, you might want to go back to my second TtU, which featured them. It has one of my all time favorite live cuts from one of my all time fave bands! | ||
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